If you have wondered how different can
men's kurtas and sherwanis get, just take a look at Kanta Khemani's repertoire,
writes Namita A Shrivastava
Kanta Khemani entered the scene of men's
fashion when the industry was still in its infancy. There were just a few brands
for men and their clothing was limited to blazers, double breasted coats and
predictable sherwanis. That was also the age of strong colour coding. Men wore
blacks, blues, browns, and blue again.
In the midst of this drab
scenario, Kanta decided to pep up the scene with her designs for men. Today, she
retails from some of the most popular and upmarket boutiques in the country,
including Elahe in Hyderabad and Roopam in Mumbai.
In the twin
cities of Hyderabad and Secunderabad, Kanta's label defines traditional Indian
male dressing and is considered the final word in long kurtas and
sherwanis.
Embroidering For
Pleasure
Growing up in Assam taught Kanta a lot about fabric and
regional weaving. She loved embroidery and grew up mastering several intricate
stitches. She often gave the designer’s touch to the shirts her brothers
wore. When she got married and came to Hyderabad, she took up designing to the
next level.
Her first exhibition of kurtas for men, with subtle
embroidery and stylised cuts, was a sell-out. ‘’We started at 10 am
and till three we had no time to look up. I realised I was under-stocked. She
also realised that here was a market ready to mature.
From two
‘karigars’ she stepped up to 60 and increased her repertoire too.
Kanta's line is embellished with beads, zardosi, ‘pitta hua kaam’,
‘dori’, ‘kasab’, pin-tucks and the Kashmiri stitch.
Often it's the button or the placement of embroidery that makes the difference.
Kanta's signature line is classy and subtle. In the city of Nizams
it’s mandatory for the grooms-to-be to pay a visit to Kanta. She also
co-ordinates ‘jooties’, ‘dupattas’ and head gears.
Though Kanta finds that her lack of a professional degree is a stumbling block,
what she has learnt through experience is far more valuable. In this business,
everything depends on the ‘karigar’. ‘’Their problem is
your problem.’’
Slow
And Steady
Though Kanta knows she can do much more, she’s in
no great hurry. What she loves most about her job is the challenge.
‘’While it should make women's heads turn, it should not appear
feminine.’’
Her range starts from Rs 1,200 and goes
right up to Rs 40,000. Her creations have clothed the best in Tollywood.
What makes Kanta unique is her charming simplicity and her approach
to work. Though she belongs to a conservative community, she realises that
talent and education hold the key to success.
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