
Ceramic designer Parool Shah romances the age-old potter’s
wheel, but youngsters are a priority at her Ahmedabad-based shop Mati.
The cobbled path leading up to Ahmedabad-based ceramic designer
Parool Shah’s shop Mati is dotted with garden sculptures, wind chimes and
the odd bric-a-brac. Every available space is crammed with stunning treasures
from the potters’ wheel — ranging from crockery items to masks, lamp
holders and roof tiles — Mati has the quintessential look of an old
curiosity shop.
WHEELS IN MOTION
“I have always loved to dabble in clay and mud, and was the only
student then to select pottery at the National Institute of Design (NID). I
guess I was quite lucky, because I had six teachers to myself!” laughs
Parool, who incidentally, is the first student to have graduated in product
designing in ceramics from NID.
When Parool started Mati back in the
1980s, “it was more of an annual exhibition-cum-sale kind of scenario,
rather than a full-fledged workshop. My machinery investments were small, the
overheads are low in any ceramics venture, because it does not require much
capital or many workers.”
Her initial range of ice cream bowls and
coffee mugs were a complete sell-out, and so Parool had sufficient profits to
plough back into the business. “I invested in glaze grinding mills,
mould-making machines and a furnace for test-firing,” recalls Parool.
“I had to take an initial bank loan, as my husband was also finding
his bearings as an architect and I did not want use the family funds.”
IDEAS & MORE
It was only five
years later when the business started breaking even that Parool could invest in
opening Mati in the backyard of her house.
Today, she supplies
dinnerware to the hip and happening restaurants in Ahmedabad, including
Tomato’s (with its distinctive logo on its glass tumblers and salt and
pepper cellars) and the Havmor chain. Her trendy bell-chimes, masks and coffee
mugs are a rage with the younger generation — Parool’s priority
customers.
She has a workshop at Naroda, but she does not believe in
assembly line production, as that would hamper creativity. Parool, in line with
her NID training, usually sketches the design outline of the product before
casting the moulds, more often than not she does this to music playing in the
background.

“Most often, my ideas are borrowed from life — it
could have been a nice piece of furniture, a scene out of nature — I
immediately get inspired and try to relate it to my pottery,” explains
Parool. “I love experimenting with colours, though some of them are not
easy to replicate as glazes, which I make out of inorganic metal oxides, like
chrome, copper, etc.”
While her in-laws manage the financial aspects
of Mati, Parool loves indulging her creativity. “Sometimes, my customers
are bemused to find me asking my father-in-law, who minds the shop, about
prices. For me, fulfilling my creative instincts is foremost; that it has been
successful as a business venture is just incidental.”
PAROOL’S FORMULA FOR
SUCCESS
* Creativity, especially in the ideas department, is of
paramount importance to any venture and you have to push for acceptance.
“At Mati, I started the trend of raw, hand-finished forms in ceramics,
which the Ahmedabad market took some time to accept.”
* Innovation
is the name of the game, you have to constantly re-design and adapt to a
changing world. “While Mati began with tableware, we gradually moved on to
new products like bells, urns, masks, planters, etc, when I started
experimenting with shapes, colours and designing.” * You need to keep
yourself apprised of market trends — which are the fast-selling items,
which are the niche market products — and arrange your product profile
accordingly.
* The buyers’ response is crucial as any creative
venture ultimately relies on what the customer wants. “Sometimes, my
clients have provided me with the freshest perspectives in product design, by
showing me samples of ceramic stuff sourced from across the world.”
* You cannot keep your products out of the reach of the common buyer, who
anyway, constitutes the majority of our customer base in India. I try to keep a
balance between mass products and the classy stuff, which has a small yet
committed clientele.’’
Photographs: Vijay Soneji
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