Issue April 1- 14

Having one’s own private musician is a boon not granted to
many
We have a new neighbour. Our colony has a new resident. I
don’t know where he has come from, but he must have moved in quite
recently. I realised his presence one morning when, getting up earlier than
usual, I took my dog out for his pre sunrise walk. That was when I heard the new
entrant. Heard rather than saw, because he was exercising his voice, though
clearing his throat, I think, would be a better phrase for it. Whatever it was,
I could hear him loud and clear.
I smiled at this rather unusual
aural beginning to my day and walked my dog home and forgot about
him.
I heard him on and off on the following mornings as I readied to
leave for work, and he continued to just clear his throat. I wondered what he
was all about, this neighbour I had not yet seen.
Then, I think, his
family moved in too. At least his wife did, once he had cased out the colony and
decided it was good enough for him to set up residence.
Early in the
mornings, I heard him revel in his music, his voice clear as only trained voices
can be, raised without fear or hesitation in notes few of us could aspire to,
his song loud and long.
I imagined in it the joy of being one
with his wife again, of living in surroundings that were pleasant and quiet,
with only the occasional chime of the temple bell or the roar of a car engine to
break the peace. These I thought, to be the reasons for his joyous
singing.
I was not wrong. Before long, I heard a second voice, as his
partner joined in, her notes matching his, her joyousness in tune with his. I
felt our colony blessed.
I held my own joy close, knowing myself
lucky to be privy to such an unbridled, unrestrained exhibition of talent. I did
not take it for granted even for a moment though, knowing that anything could
change it all.
A shift in the climate of the place, the comfort
levels so necessary for song — any of these could change, and my new
neighbour could decide to pack and leave as suddenly as he had come, his wife
close behind, to relocate to a more pleasant clime. As long as it lasts, I
thought to myself, I will exult in the offering I receive.
Quite
often I tried, as I went up and down, to catch a sight of the new couple. Were
they young or old, I wondered. Young I thought, from the force of their song,
but one could never really tell.
I am however, looking forward to our
coexistence. To their having their young in these idyllic surroundings, far away
from the bustle and din of city life, and yet so close to it.
The
trees that our colony abounds in, their leafy tops swaying in the spring
breezes, make a sylvan setting for nests, and I can quite expect my musical
neighbour and his mate setting aside their song to busy themselves with nest
building, and caring for the hungry young. Except that koels don’t make
nests or rear their own young. So there will be more time for song!
And so I hope that even as the months pass, and the spring gives way
to summer and then to the thick black rain clouds that will screen the parched
earth from the June sun, the voices temporarily silenced by the heat will rise
in chorus as the young and their parents fill the air with the sound of their
longing for rain.
I will then be well able to imagine that I am in
the midst of a miniature painting, with the sky in dark blue and the green tops
of the trees dotted with singing birds, and I, standing at my window, listening
to them and the rustle of the leaves.
All it would need to make it
picture perfect would be a flamboyant peacock trailing its many hued tail in the
grass.
Maybe I am asking for too much. Or maybe I am not. Who
knows?
The Editor